Minh Thành Pagoda (Gia Lai)
Gia Lai(Chùa Minh Thành (Gia Lai))

Overview & history
Minh Thành Pagoda is a pagoda located about 2 km from the centre of Pleiku city, situated at 348 Nguyễn Viết Xuân Street, Hội Phú Ward, Gia Lai Province. Minh Thành Pagoda is considered an attractive sightseeing spot of Pleiku - Gia Lai. Minh Thành Pagoda represents an intersection between the architectural culture of the Lý - Trần dynasties and the style of Japanese pagodas. The pagoda was built in 1964 under the abbotship of Most Venerable Thích Giác Đạo and has become a place of worship and incense offering for Buddhists in the region.
Construction History
Minh Thành Pagoda is under the abbotship of Venerable Thích Tâm Mãn. The Venerable became a monk and began his studies at the age of 6 in Pleiku, Gia Lai Province. In 1987, he entered Niết Bàn Pagoda on Thị Vải Mountain; in 1989, he moved to Hồ Chí Minh City and resided at Long Bửu Pagoda, Khánh Hội, District 04. During his 11 years at Long Bửu Pagoda, he also studied abroad in Taiwan for 7 years. Venerable Thích Tâm Mãn graduated top of his class with a master's degree in Buddhist fine arts, Buddhist pagoda and stupa architecture, and Buddhist art, becoming the first monk in Vietnam to graduate from this faculty. The Venerable is currently a lecturer at the Buddhist Academy. The main hall (chánh điện) has two floors: Đại Hùng Bửu Điện and Đại Bi Điện.
Architecture
The architecture of the pagoda, right at the main hall (chánh điện), is constructed in a simple form of a maṇḍala. The circle symbolises a fully blossomed lotus flower—the foundation of Vajrayana cosmology. The pagoda's architecture is largely derived from the style of pagodas during the Lý and Trần dynasties. This is a fusion between the traditional culture of the Lý and Trần periods and Japanese style, harmoniously combined with Chinese and Taiwanese architecture, creating a magnificent, splendid yet solemn beauty. With its complex and ornate features of high artistic value, and a meticulously detailed, durable structure such as the bracket arms and mortise-and-tenon joints, the construction requires the most skilled craftsmen who master these techniques.
Typically, there are two sets of maṇḍala: the Vajradhātu-maṇḍala (Diamond Realm maṇḍala) and the Garbhadhātu-maṇḍala (Womb Realm maṇḍala), which symbolise the realised wisdom of the Buddha and the means of saving sentient beings. Each maṇḍala is based on certain doctrinal themes of Mahayana Buddhism.
The sculptural artworks here are based on the foundation of Vajrayana philosophy. They encompass both literary and philosophical aspects, almost all the essence of Mahayana Vajrayana Buddhist thought and literature.
The main hall doors are 6 metres high, with frames 4 tấc (about 16 cm) thick and 6 door panels, each 2 tấc (about 8 cm) thick, carved with six great Bodhisattvas on the door system. The incense burner and lamps are made of ceramic, reproduced in the late Lê dynasty style. The Buddha altar in the main hall is the largest, 6 metres long and 1.2 metres high. The largest bell and wooden fish (mõ) set. Next are a pair of ceremonial umbrellas (bảo cái), a pair of banners (tràng phan), and a lotus pedestal imported from Japan. The Buddha and Bodhisattva statues were brought from Taiwan.
The main hall is 16 metres high, with a ceiling made of pơ-mu wood and rosewood platforms. In the centre of the main hall is the statue of Vairocana Buddha (Tỳ Lô Giá Na Phật), 6 metres high and weighing 16 tonnes, with each lotus petal carved in relief with Buddhas, and the rear wall featuring the Eighty-Eight Buddhas (bát thập bát Phật). The Five Directional Buddhas (Ngũ phương Phật) of the East, West, South, North, the Eight Vajra Protectors (bát bộ kim cang), the statue of the Original Teacher Shakyamuni Buddha (Bổn Sư Thích Ca Mâu Ni Phật), as well as statues of Manjushri (Văn Thù) and Samantabhadra (Phổ Hiền).
On both left and right sides are enshrined the statues of the Twelve Pratyekabuddhas (Thập nhị Duyên Giác), each 3 metres high, made of jackfruit wood, lacquered and gilded. On both walls of the main hall are 30,000 Buddha images. All these statues are intricately carved in relief on the walls. The Đại Bi Hall (Đại Bi đường) worships Avalokiteśvara Bodhisattva with a Thousand Hands and Eyes (Quan Thế Âm Bồ Tát Thiên Thủ Thiên Nhãn), popularly known as the Thousand-Armed, Thousand-Eyed Buddha, in Vietnamese style, 7.5 metres high. On either side of the Thousand-Armed, Thousand-Eyed statue are two Dharma Protector statues, each 3 metres high. These three statues are carved from wood and worshipped on the lower floor to the west of the main hall.
The Từ Ân Stupa (Tháp Từ Ân), which worships the founding patriarch, has three roof tiers, covered with yin-yang tiles, and decorated with stylised dragons and lotuses. To the left of the main hall is the bell tower, housing a great bronze bell weighing 4 tonnes, worshipped to the left of the main hall.
In front of the pagoda courtyard stands a stone statue of Amitābha Buddha (Phật A Di Đà), 7.5 metres high and weighing 40 tonnes, solemnly placed in the middle of the Liên Trì lotus pond, with pink lotus flowers blooming across the water's surface.
Another structure under construction and nearing completion is the nine-storey stupa worshipping relics (bảo tháp thờ Xá Lợi), 72 metres high. Inside the stupa are four statues of the Thousand-Armed, Thousand-Eyed Bodhisattva, each 8 metres high and 3.5 metres wide, exquisitely and vividly carved from jackfruit wood. The first and other floors will be places to worship the Seven Buddhas and the relics of Shakyamuni Buddha. In front of the Liên Trì pond is the largest bronze incense burner, 4 metres high and weighing 4 tonnes.
To the right of the main hall is the monks' quarters (tăng phường), including the dining hall, lecture hall, meditation hall, and library, covering thousands of square metres, along with other buildings such as the abbot's residence (phương trượng đường) and guest hall (khách đường). Structures nearing completion include the triple-arched gate (cổng tam quan), patriarch's house (nhà Tổ), monks' house (nhà tăng), and the Hall of 500 Arhats (Điện thờ 500 vị La hán) made of jackfruit wood. The ordination hall (giới đường) is being prepared for construction, as is the Hall of the Four Heavenly Kings (điện thờ Tứ Đại Thiên Vương).
Photos
📷 Contribute photosVisiting tips
- Dress modestly; remove hats and keep quiet inside the main hall.
- Incense, flowers and offerings are usually sold right outside the gate; light an odd number of sticks (1 or 3).
- Most pagodas open from early morning to evening and are free to enter (some major sites charge a small scenic fee).
- Full-moon days, the 1st of the lunar month and Tet are very crowded; visit on weekday mornings for a quiet experience.
- Ask permission before photographing inside shrines; do not touch statues or altar objects.
Read more & references
Useful links to learn more before your visit:
Location
Coordinates: 13.96606, 108.00621
🧭 Directions on Google MapsReferences
- Vietnamese Wikipedia
- http://www.chuaminhthanh.com/web/
- http://www.bachhac.net/slideshow/minhthanh.htm
- http://dulichgo.blogspot.com/2012/12/chua-minh-thanh-pleiku.html
- http://dulichbuipro.blogspot.com/2012/11/chua-minh-thanh-pleiku-gia-lai.html
- https://web.archive.org/web/20130917071753/http://chuaminhthanh.com/web/
- https://web.archive.org/web/20130302023721/http://www.bachhac.net/slideshow/minhthanh.htm